Showing posts with label Joan Taylor-Rowan. Show all posts
Showing posts with label Joan Taylor-Rowan. Show all posts

15.5.12

Heads or Tales?


What is there to do on a Monday night? Come and listen to some stories by me of course! Eurovision, rubber bullets, John Lewis and a word-obsessed lonely heart, plus a bit of circus magic in Mexico.  Need more inducement?  The £3.00 entrance fee will be going to RoomtoRead -a charity that build and fills libraries throughout the world, and commissions books in local languages. Bring lots of Kindle-owning pals, publishers and literary agents with wads of cash waiting to be spent on fat advances. (What an imagination - I should be a writer!)

3.4.12

O.L. Festival (3) Dogs Who know when their owners are coming home

If a student at Corpus Christi College fails to get a top class degree then they deserve a good slap. It is the most beautiful learning environment on earth, like a pale golden nunnery in a scented garden. Perfectly inserted into this paradise is a modern lecture hall where I heard Rupert Sheldrake - maverick scientist/heretic, discuss the ten dogmas of science.  I love any lecture where a tiny old lady asks detailed questions about String Theory and is not assumed to be referring to crochet.
His opening notion - that scientists subscribe to these dogmas in working hours and then many go home and  are happy to believe that their dogs know when they are coming home, that their children are not mere robots and that there is a God - was a great starting point. He believes that scientists should at least be prepared to contest some of these dogmas (the conservation of matter; that all matter is unconscious; that all nature is mechanistic etc. ) which according to him have some quite insubstantial foundations. I would like a partner who can remember when I'm coming home.

Oxford Literary Festival (1) Defy the ageing effects of gravity - stand on your head!

Oxford makes you feel intellectual before you've even had your breakfast. The Times-sponsored literary festival with events held in a range of colleges around the city, made me feel especially learned. I only had a day there so had chosen three diverse events:- Jane Shilling talking about women and middle-age; the Times/EFG short story competition shortlist and Rupert Sheldrake discussing science and its dogmas. I would perhaps have got more out of Jane Shilling's interview if I'd already read her book - The Stranger in the Mirror. A review by Melanie McGrath in The Telegraph claimed she had uncovered a middle age 'rich in ambiguity and nuance’ and found the fun to be had in discovering 'what remains of the wilder joys of love and sexual exploration’ as well as a mature pleasure in 'an orderly, settled life, self-knowledge and formed tastes.’The interview however didn't seem to mine this aspect of her book(we got the negatives:- loss of fertility, empty nest syndrome, sagging bodies, boo hoo).  The book does sound well worth a read for her elegant writing and the fact there are so few books about middle-aged women that are not patronising.  I don't want to sink into terminal beige but neither do I want to wear purple and monstrous rings that make me drag my knuckles on the pavement.  I know the secret to a good middle-age (when I get there, of course): get rid of mirrors; stop reading womens' magazines even in the newsagent's and have a good laugh with your friends, then spend half the day on your head to offset the effects of gravity on your body - you can pretend you're doing yoga and get an entirely new perspective on life.

28.2.12

Gloves of the skin of a fish...



Fish fingers anyone?
I envisaged elbow length evening gloves shimmering with golden scales not golf gloves but still they are gloves of the skin of a fish - and look at the lovely leather! I want to order some and get to work on a pair of fish finger gloves for my little lady hands. It can be made made from carp, salmon or perch and apparently does not smell in the least bit unpleasant. It's a great way to make use of the skin,which would otherwise be wasted. I see a range of fishy accessories swimming off my sewing machine - bags, mermaids' purses, slippers. There is no time to waste - its the 29th February tomorrow. Sieze the day or should that be Carpe Dyem.

25.2.12

Lend me your ears...


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I'd forgotten how wonderful it is to be read to.  The White Rabbit's "Are you Sitting Comfortably", performed in Jackson's Lane Community Centre, turned out to be a really brilliant evening. Bernadette Russell and Gareth Brierley were superb performers sucking you in with their characterisations and creating a magical, intimate atmosphere even though we were in a sizeable theatre space. Stories of dying angels, mysterious villains, demon gangsters and sealed fates would, I think, have satisfied Dickens although he wouldn't have known what a neon-coloured tracksuit was.  Amanda Hadingue from Theatre de Complicite read my story and she did it so well she made me weep and I wrote the bloody thing! The teacups of sweets and literary pass-the-parcel went down a treat too.

21.2.12

You gotta have guts to wear this....


Continuing my garments made from unusual animal products...an Alaskan seal gut parka, and it's decorated with BIRD SKIN strips (you knew I'd get it in somewhere). There is one of these at my favourite museum - The Pitt Rivers Museum in Oxford - which is all a museum should be  - glass mahogany-edged cases crammed with gorgeous unidentifiable objects with fascinating provenances. Their parka is edged with the finest braids woven out of reindeer hair. The seal gut sections are sewn in strips to make a translucent, lightweight waterproof garment - now you can't get one of those in Millets.

20.2.12

How to make words fly off the page


Words turn into butterflies, a book becomes a forest of birds, a dress takes flight - paper artist Su Blackwell makes you gasp.

19.2.12

What to wear with those Birdskin Shoes - a spider silk cape!

Eight legs good - two legs bad. Okay so it does look like Fr. Patrick's favourite outfit - but it really is spider silk - not just any spider, the Golden Orb spider of Madagascar, with a body as big as a 50p piece and silk the colour of gold doubloons. It's the colour that is the most extraordinary thing - Rumpelstiltskin came to mind when I saw the skeins of thread, or the shiney petals of buttercups. One million spiders, four years, each thread made of 24 strands of silk.  They've never been able to farm spiders because they eat each other if there are too many in one place - a metaphor for modern urban living if ever I heard one.

17.2.12

New event

I've got a story into an event, "Are you sitting comfortably" at Jackson's Lane Community Centrre in Archway Thursday 23rd Feb 8pm,
Box office 020 8341 4421 or book online at www.jacksonslane.org.uk
Inspired by Dickens, the company creates a show performed by actors around stories selected by them - I've not seen any of their shows but was told by a friend that they are wonderful.
 
"fantastic alternative fun" Time Out
"storytelling made supremely sexy" Latest 7 ****
"comic..haunting..an enchanted night" Total Theatre ****

27.1.12

Cover artist

www.teresavillegas.com



Teresa Villegas, artist, book illustrator and writer is responsible for the beautiful cover on The Birdskin Shoes.  I chose the image because of its Latin American feel and because the design of birds and banners was so glorious.  It took me a long time to find what I was looking for.  I'd seen one or two artworks that I liked but they lacked that extra something.  When I discovered these paintings I knew I had what I needed.  I drew up a contract with Teresa allowing me (for a one-off sum) to use the image for promotion purposes and the cover of the book, and her work is acknowledged in the book. Graphic designers then turned her image into a book cover.
 It turns out that Teresa Villegas and I both spent time in the same town in Mexico in the same year.  I love the idea that we may have passed each other on the street. Please look on her website to view more of her gorgeous work and www.amazon.com for her book, Loteria!

22.1.12

Absence makes the art grow stronger

Baby didn't look quite as I'd hoped when I lifted her Kindle blanket so I decided to do some additional work.  As with any child, it's very hard to know when to stop interfering and let them be. Each time I go back and read something I've written there is a word or phrase that still niggles.  Sometimes it's because I've become overattached to a metaphor and I'm going to shoehorn it in whether its right or not; sometimes the pace is wrong, or the word not quite accurate enough. 
But absence makes the art grow stronger. After a couple of weeks I finally downloaded and read my own book as a new reader would. I read the first page and knew I had to fix it.  Luckily with e-books you can make changes and then upload again.  I spent two night playing with words, paragraphs and rhythms until it felt right.  It's the first page after all, it's got to grab the reader and give an immediate sense of the book's style and mood.
You might think that to have got to the stage of publication and not sorted the first page was somewhat remiss but I assure you, that page had been worked and reworked more than a hundred times - and that is the problem.  Like a piece of pastry it had become overworked and grey. It had lost it's spring and I'd lost the ability to see it.
The new beginning I hope, has the reader actively involved with the earthquake along with the character; in the first edition the reader was watching along with the character which I think was less effective.  If you have bought it already and want to read the new beginning use "Look Inside" feature on Amazon. (And by the way this is about the fifth version of this post, having found numerous changes were required when I looked at it this morning.)

8.1.12

It's a Miracle

This is from a collection at the Wellcome Foundation - fantastic place on the Euston Road full of marvels. Exhibition on until February of ex-votos - Mexican paintings to thank various Holy Beings for prayers answered. This mother prayed to St Francis for her son to return home and he did - as he looks dressed for Studio 54 we might well ask where he has been...
Some wonderful  prayers though...
"In the middle of my suffering I invoked with intimate truth at the core of my heart the Powerful Queen of the Mexican Nation, Our Mother of Guadeloup who cured me..."

Two fantastic film clips, one from a man who rescued a woman from the earthquake of 1985 by using his back as a leverage point for a crowbar to raise a concrete door, and he survived without breaking his back. Very moving witness to human courage. And from the sublime to the ridiculous a woman invoked Senor de Villaseca because she couldn't make round tortillas.  Her prayers were granted and she made an entire basket full of them and called all her family to witness it.